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The Conversations: Walter Murch and the Art of

The Conversations: Walter Murch and the Art of

The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje

The Conversations: Walter Murch and the Art of Editing Film



Download The Conversations: Walter Murch and the Art of Editing Film

The Conversations: Walter Murch and the Art of Editing Film Michael Ondaatje ebook
ISBN: 9780375709821
Publisher: Knopf Doubleday Publishing Group
Format: pdf
Page: 368


The two had a series of conversations/interviews (Ondaatje is asking the questions, primarily) that are collected in a book called The Conversations: Walter Murch and the Art of Editing Film. The Conversation has been marked in cinema history for Walter Murch's distinguished use of contemporary sound design, and the film's successful move from classical image/sound match. How did you get involved in the re-editing of Touch of Evil? Watched it last week with Brian. In short, if I'd like to see a good tragic love movie, I'd still turn to The English Patient. I found this book in a free box in front of my house, but i would have paid lots for it if i came across it in a store. From the conversations: walter murch and the art of editing (michael ondaatje) - knopf - 2002. Watched it twice last week, and now I'm reading "The Conversations / Walter Murch and the art of editing film" by Michael Ondaatje. Author Michael Ondaatje watched Murch work on the film of his novel The English Patient, and concluded editing was “the stage of film closest to the art of writing”. Or the similarities, and differences, between film and written fiction? In 1998, while researching the revision of Touch of Evil, I pursued an interview with Walter Murch, then and now arguably the dean of American film sound and. The Conversations: Walter Murch and the Art of Editing Film, Michael Ondaatje - Want to understand editing? I used some of that noise in the finished film; as noise, it's very good. Lecture that I had given in Los Angeles over the summer at the County Museum on film and film sound, specifically on The Conversation and Apocalypse Now, for which I had done the sound design and the sound mix as well as the picture editing.





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